So you have your layer, and you’ve positioned it where you want it to start. Mistake #3: Forgetting to Set Your First Keyframes Just highlight your keyframes in the timeline, right-click, and select “Keyframe Interpolation.” You will see a popup box, and one of the indicators will read “Spacial Interpolation.” In the drop down box next to “Spatial Interpolation” you will see that the default is “Continuous Bezier.” All you need to do is change this selection to read “Linear.” Click “Okay”, and now the animation should be moving smoothly across the screen.įor more information on troubleshooting this problem, check out this video tutorial by Greyscale Gorilla!
This may be one of the most common mistakes beginning animators make in AE, but luckily it’s pretty easy to fix. Okay, seriously now-why is that keyframe doing a little dance in the middle of the screen? All you want is for it to move smoothly from one side of the screen to the other, with a little pause in the middle, right? What’s up with with the wibble-wobble thing? (We know, that was a lot of “comps.”) Mistake #2: Wibbly-Wobbly Keyframes So while the pre-comp may be set to the proper length, if the layer turns off in the pre-comp, it will turn off in the main comp as well.
Ctrl paint nested mask full#
Sometimes, new users don’t realize that they need to set the layer to the full length of the comp, which can make the layer “disappear.” This is especially common when using pre-comps, because the behavior of a pre-comp inside of a comp will effect the main comp. You see, your AE timeline reads from left to right, and as you know each layer can be set to turn on or off anywhere in the timeline. Usually it’s just a rogue keyframe to blame-you may have accidentally set the size or opacity to zero, or-more likely-the layer endpoint is coming up before the end of the comp. If your layers keep disappearing, a few things could be at play. Mistake #1: The Case of the Disappearing Layers
Ctrl paint nested mask how to#
To help you avoid these pesky problems, we’ve compiled a list of the ten biggest and most common AE mistakes out there-and how to avoid them.
You’re happily animating away, minding your own business, when suddenly-bam! You get hit with a weird error message, or your layer disappears…and why isn’t the mask tool working anyway? After Effects can be a complicated program, and while customizable After Effects templates and internet tutorials can help anyone get the ball rolling, there are still a few ins and outs that can elude even advanced animators and FX artists. Ironically, it'll take you longer to read it than do it, but we've all got to start somewhere.We’ve all been there. I'll split it all down chronologically, down to each second. So, let's take a look at the quickest way to do this. I want to make changes to the mossy grass and hills in the scene, boosting colors, enhancing tones, and generally making them stand out a little more. What we're going to do is use the Adjustment Brush to make a large, sweeping mask across the image but have it only affect specific aspects of the frame. So, although there are five or so steps and a few settings changes here and there, it should take you just five seconds to make a complex mask in Lightroom with which to edit your photos. There's quite a bit to this tutorial, but the overall process doesn't actually take long at all once you know what to do. But it's relatively simple to add quite a complex mask in Lightroom too. Ever wanted to make a complex mask in Lightroom but haven't had the patience to follow through? Well, using this simple technique, you can do it in just five seconds.Ĭomplex and intricate masks are normally the vanguard of Photoshop thanks to its advanced layering systems and intelligent AI-powered selective tools.
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